Composer
Composers Panel

Sunday
February 26, 2017
1:00 pm
WPAC RecitalĀ Hall

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Fredrick Kaufman is the composer of over one hundred and thirty compositions that have been performed worldwide by orchestras such as the Warsaw Philharmonic, the Israel Philharmonic, the Moscow Chamber Orchestra, the Moscow Symphony Orchestra, the Czech Radio Orchestra, the St. Petersburg Philharmonic, the Lithuanian Philharmonic and Chamber Orchestra, the Czech National Symphony Orchestra, the Czech Symphony Orchestra, the Jerusalem Symphony, the Instrumental Ensemble of Grenoble, the London Sinfonietta, Orchestra Novi Musici (Naples Italy), the Dominican Republic National Orchestra, the National Orchestra of Brazil, the St. Paul Chamber Orchestra, the Los Angeles Philharmonic, the New World Symphony and the Pittsburgh Symphony orchestras. His ballets have been danced by companies such as the Royal Swedish Ballet, the Royal Winnipeg Ballet, the Batsheva Dance Company, the Bat-Dor Dance Company and the Pennsylvania Dance Theater.

Kaufman is a former Fulbright Scholar, and author of The African Roots of Jazz, a groundbreaking study that drew heavily on his early musical life as a jazz trumpet player with the Woody Herman Band. He is the recipient of the Darius Milhaud Award in Composition from the Aspen Music Festival, and honors and fellowships from the National Endowment for the Arts, the Rockefeller, Guggenheim and Ford Foundations, the California, Montana and Pennsylvania Arts Councils as well as the Norwegian Government.

Fredrick Kaufman’s Holocaust composition Kaddish which Bernard Holland of The New York Times described as “having the most expressive writing for strings to be heard today,” has been performed in the major concert halls of Europe, Eastern Europe, Scandinavia, Israel, South America, Asia and throughout the United States.

Fredrick Kaufman recently completed the Guernica Piano Concerto for concert pianist Kemal Gekic and the Czech National Symphony Orchestra. The premiere performance took place at the Sibelius Concert Hall (Feb, ’13) in Prague and was a spectacular success. It received 4 curtain calls and a review that called the work “a masterpiece…extraordinary… a convincing, emotional, passionate, vivid piece of music”… Music Review, Prague…”is a composition written in the soul”…Sonorama magazene (Spanish)…”exciting, unusual and riveting”…Babysue magazene. The concerto was recorded in Prague and released on the Navona label by Naxos in July, 2013.

www.fredrickkaufman.com